DISORIENTALISM :: Katherine Behar + Marianne M. Kim

Disorientalism is an on-going art project by Katherine Behar and Marianne M. Kim.

2015

  • Disorientalism: Maiden Voyage & Ready Mix. Solo Exhibition, Arizona State University Galleries. Phoenix, AZ, USA.
  • Embodied Place: Observations & Notations. Group Exhibition, curated by Amy Franceschini and Russell Dudley. Garage Door and Tahoe Gallery, Incline Village, NV, USA.
  • WonderWomen. Group exhibition, curated by Howard Oransky and Frenchy Lunning. Katherine E. Nash Gallery, Minneapolis, MN, USA.

2014

  • Manifest! Choreographing Social Movements in the Americas. Group Exhibition, curated by the Hemispheric Institute of Art and Politics. FOFA Gallery, Montreal, Canada.
  • Rapid Pulse 2014. Performance Festival, curated by Joseph Ravens and Steven Bridges. Defibrillator Gallery, Chicago, IL, US.
  • Performing Economies. Group Exhibition, curated by Stephanie Rothenberg. Techne Institute, University at Buffalo, Buffalo, NY, US.

2013

  • NATUREHOODFULLESSNESS. Performance screening, curated by Taisha Paggett. Pieter, Los Angeles, CA, US.
  • Brown Bagging: Quality is Our Recipe (from “The Food Groups” Series). Solo exhibition/performance, curated by Jillian Hernandez. Museum of Contemporary Art, North Miami, Miami, FL, US.
  • Disorientalism: Ready Mix. Solo Exhibition, curated by Jillian Hernandez. The Girls’ Club Collection, Miami, FL, US.
  • The Wassaic Project Winter Benefit. Group exhibition, curated by Eve Biddle, Bowie Zunino, and Jeff Barnet-Winsby. The Invisible Dog, Brooklyn, NY, US.

2012

  • Till. Group exhibition, curated by Lynn Sullivan. Brooklyn, NY, US.
  • ISEA2012 Albuquerque: Machine Wilderness. Curated by ISEA (International Symposium on Electronic Art). Albuquerque, NM, US.
  • Return to Rattlesnake Mountain. Group exhibition, curated by Eve Biddle, Bowie Zunino, and Jeff Barnett-Winsby. Wassaic, NY, US.
  • Collider 4: Spectacle. Group exhibition, curated by Markus Vogl, Rod Bengston, Tony Samangy, and Margarita Benitez. Emily Davis Gallery, University of Ohio, Akron, OH, US.
  • The Affect Factory. Quality is Our Recipe (performance) curated by Women & Performance. New York University. New York, NY, US.
  • Disorientalism: Brown Bagging. Solo Exhibition. ArtSpace West, ASU. Phoenix, AZ, US.

2011

  • Everyday Charms. Group exhibition, curated by Jillian Hernandez for The Feminist Art Project. O Cinema. Miami, FL, US.
  • Disorientalism: Ready Mix. Solo Exhibition, curated by Mack McFarland. Feldman Gallery + Project Space, PNCA, in conjunction with PICA TBA Festival. Portland, OR, US.
  • So Happy to be Here in the 21st Century. Performance Lecture. Pacific Northwest College of Art. Portland, OR, US.
  • FIRE/SKY/WATER … REPRODUCTION. TV Maintenance (4 videos) curated by Carlos Rigau. de la Cruz Collection, Miami, FL, US.

2010

  • Guns N’ Gals. Photographs and live performance. “Dis-Robed,” Curated by Kathleen Smith and Ava Rawski at The Wassaic Project, Wassaic, New York, US.

2008

  • DISORIENTALISM. Solo Exhibition, featuring Disorientalism Volume I: The ABC’s Book Production Performance. Arizona State University Interdisciplinary Arts & Performance Gallery, Phoenix, Arizona, US.
  • TV Maintenance and Plugging Away. Videos. “Mediations,” Poznan Biennial, Poznan, Poland.

2007

  • An Archaeology of the Mistaken Present, Part 2. Archaeologist performance. Performance Studies International Conference, New York University, New York, US.
  • An Archaeology of the Mistaken Present, Part 1. Public Performance. Times Square, New York, US.
  • Two by Two, View by View. Public Performance. D.U.M.B.O. Art Under the Bridge Festival. Brooklyn, New York, US.
  • Plugging Away. Video Screening. “video_dumbo,” curated by Gabriela Moray & Casper Stracke. Brooklyn, New York, US.

2005

  • Let it Snow! Video Screening. “Office of All Sorts of Backwards Productions’ Holiday Pageant,” curated by Meg Duguid. Galapagos, Brooklyn, New York, US.

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