DISORIENTALISM :: Katherine Behar + Marianne M. Kim

Exhibition Record

Disorientalism: Maiden Voyage & Ready Mix. Solo Exhibition, Arizona State University Galleries. Phoenix, AZ, USA.
Embodied Place: Observations & Notations. Group Exhibition, curated by Amy Franceschini and Russell Dudley. Garage Door and Tahoe Gallery, Incline Village, NV, USA.
WonderWomen. Group exhibition, curated by Howard Oransky and Frenchy Lunning. Katherine E. Nash Gallery, Minneapolis, MN, USA.

Manifest! Choreographing Social Movements in the Americas. Group Exhibition, curated by the Hemispheric Institute of Art and Politics. FOFA Gallery, Montreal, Canada.
Rapid Pulse 2014. Performance Festival, curated by Joseph Ravens and Steven Bridges. Defibrillator Gallery, Chicago, IL, US.
Performing Economies. Group Exhibition, curated by Stephanie Rothenberg. Techne Institute, University at Buffalo, Buffalo, NY, US.

NATUREHOODFULLESSNESS. Performance screening, curated by Taisha Paggett. Pieter, Los Angeles, CA, US.
Brown Bagging: Quality is Our Recipe (from “The Food Groups” Series). Solo exhibition/performance, curated by Jillian Hernandez. Museum of Contemporary Art, North Miami, Miami, FL, US.
Disorientalism: Ready Mix. Solo Exhibition, curated by Jillian Hernandez. The Girls’ Club Collection, Miami, FL, US.
The Wassaic Project Winter Benefit. Group exhibition, curated by Eve Biddle, Bowie Zunino, and Jeff Barnet-Winsby. The Invisible Dog, Brooklyn, NY, US.

Till. Group exhibition, curated by Lynn Sullivan. Brooklyn, NY, US.
ISEA2012 Albuquerque: Machine Wilderness. Curated by ISEA (International Symposium on Electronic Art). Albuquerque, NM, US.
Return to Rattlesnake Mountain. Group exhibition, curated by Eve Biddle, Bowie Zunino, and Jeff Barnett-Winsby. Wassaic, NY, US.
Collider 4: Spectacle. Group exhibition, curated by Markus Vogl, Rod Bengston, Tony Samangy, and Margarita Benitez. Emily Davis Gallery, University of Ohio, Akron, OH, US.
The Affect Factory. Quality is Our Recipe (performance) curated by Women & Performance. New York University. New York, NY, US.
Disorientalism: Brown Bagging. Solo Exhibition. ArtSpace West, ASU. Phoenix, AZ, US.

Everyday Charms. Group exhibition, curated by Jillian Hernandez for The Feminist Art Project. O Cinema. Miami, FL, US.
Disorientalism: Ready Mix. Solo Exhibition, curated by Mack McFarland. Feldman Gallery + Project Space, PNCA, in conjunction with PICA TBA Festival. Portland, OR, US.
So Happy to be Here in the 21st Century. Performance Lecture. Pacific Northwest College of Art. Portland, OR, US.
FIRE/SKY/WATER … REPRODUCTION. TV Maintenance (4 videos) curated by Carlos Rigau. de la Cruz Collection, Miami, FL, US.

Guns N’ Gals. Photographs and live performance. “Dis-Robed,” Curated by Kathleen Smith and Ava Rawski at The Wassaic Project, Wassaic, New York, US.

DISORIENTALISM. Solo Exhibition, featuring Disorientalism Volume I: The ABC’s Book Production Performance. Arizona State University Interdisciplinary Arts & Performance Gallery, Phoenix, Arizona, US.
TV Maintenance and Plugging Away. Videos. “Mediations,” Poznan Biennial, Poznan, Poland.

An Archaeology of the Mistaken Present, Part 2. Archaeologist performance. Performance Studies International Conference, New York University, New York, US.
An Archaeology of the Mistaken Present, Part 1. Public Performance. Times Square, New York, US.
Two by Two, View by View. Public Performance. D.U.M.B.O. Art Under the Bridge Festival. Brooklyn, New York, US.
Plugging Away. Video Screening. “video_dumbo,” curated by Gabriela Moray & Casper Stracke. Brooklyn, New York, US.

Let it Snow! Video Screening. “Office of All Sorts of Backwards Productions’ Holiday Pageant,” curated by Meg Duguid. Galapagos, Brooklyn, New York, US.